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| ADD 040099 The songs of the Russian composer Alexander Tikhonovich Gretchaninov were recorded for the first time by the famous bass BORIS CHRISTOFF. (So far this is their one and only recording in the world.) Once again these songs enrich the pattern of our emotions. They take us out of the everyday brutality to retrieve those higher feelings that link us to eternity, perfection and infinity. Boris Christoff's noble voice and interpretation remind us that we were bom on earth and lend us wings to fly over the tree tops of golden leaves, along the deep rivers and the deserted steppes through the fading light of sunsets. It is through Gretchaninov’s music and the words of famous poets that we feel as if we are not material and turn into a praying whisper, in morning dew, in sighs, or peals of bells. Such transformations of the human spirit are possible only in the works of a genius. *** Each one of the great Russian composers of the 19th century has given his contribution to the flourishing of the romantic style in vocal music. The romances selected by NICOLA GHIUSELEV (who also included works by 20th century composers) are a valuable document of the singer’s bright and vivid vocal performance. This seems to be one of the culmination points in the brilliant career of the artist who never stops widening his stylistic preferences and in this way enriches his repertoire in terms of both genre and style. |
| Songs by A. Gretchaninov Night Voices ; Don't Ask Why ; In the Dark Copse ; Scarcely Had I Heard the Song ; A Sharp Axe ; In Light Slumber ; A Little Flower ; Like a Supernal Angel ; Nightmare ; A Cuckoo ; I Do not Know ; I Dreamt...; Grim and Evil ; Autumn Motifs ; BORIS CHRISTOFF - bass I Bless You Woods / Pyotr I. Tchaikovsky. Doubts / Michail Glinka. The Old Corporal / Alexanndre S. Dargomizhsky. Obrochnik / Sergey V. Rachmaninov. Day of Insults / Dmitry Shostakovich. Trepak ; Serenade ; The Flea / Modest P. Mussorgsky NICOLA GHIUSELEV - bass Irina Shtiglich - piano (1,2,4,6,7,8,13) ; Ivan Drenikov - piano (3,5,9,11,12,14) ; Theodor Mousev - piano (15—22) |
1 | 050098 дата на запис: October 1971  |
| 1. Radouisya - *** - 1'40" 2. Blazhenna - *** - 3'08" 3. Na Vossoedinenie Ukrainy s Rossiei - 3'44" 4. Pashalna Stihira - 5'13" 5. Snachala dnes poutrou rano - 4'35" 6. Vertep (A Den) - incidental music - 5'48" 7. Three ukrainian chants: a) Shedshe trie tsari - 2'19", b) O darovanni pobedy - 1'51", c) Stihi pohvalnye Rossii - 3'21" 8. Masterpieces of old Russian vocal art: a) Mnogoletstvovanie - 3'12", b) Dostoino est (Meet Is It) - 2'10", c) Izhe Herouvimi - 2'52" (Compiled by N. Uspenskiy) 9. Kto tvoyu, Spasse, rizou razdra - a twelve-voiced partite concerto by an unknown author - 5'22" 10. Zlatokovannouyu Troubou (Gold-Coated Horn) - an eight-voiced partite concerto by V. Titov - 11'46" 11. Rozhdestvenskiy stih (Christmas Verse) - a twelve-voiced partite concetro by V. Titov - 4'26" 12. Herouvimska (Cherubic Song) - for eight-voiced choir by M. Diletskiy - 6'11" Total: 68'54" "Svetoslav Obretenov" Bulgarian National Choir; Conductor - Georgi Robev плоча ВХА 1332 |
22 4 | ВХА 10371-10372 (2 плочи) дата на запис: издание 1981 г. |
22 4 | ВХА 10371-10372 (2 плочи) дата на запис: издание 1981 г. |
22 4 | ВХА 10371-10372 (2 плочи) дата на запис: издание 1981 г. |
22 4 | ВХА 10371-10372 (2 плочи) дата на запис: издание 1981 г. |
22 4 | ВХА 10371-10372 (2 плочи) дата на запис: издание 1981 г. |
| 1. Velika ektenia (The Great Litany). - 6'03" 2. Antiphones . - 6'23" 3. Slava and Edinorodnii (Glory and The Only-begotten Son). - 3'59" 4. Trisvyatoe (Trisagion). - 4'26" 5. After reading the scripture. - 1'05" 6. Suguba ektenia. - 5'06" 7. Zaupokoina (Requiscat) and other litanies. - 3'25" 8. Cherubic song. - 7'07" 9. After the Cherubic Song. - 3'56" 10. Veruyu (Creed). - 4'49" 11. Milost mira (Mercy of peace). - 6'30" 12. Dostoino est (Meet is It, in Truth to Bless Thee). - 4'08" 13. Molitva Gospodnaya (The Lord's prayer). - 3'37" 14. Hvalite Gospoda (O Praise our Lord). - 4'49" 15. End of the liturgy. - 10'04" Total: 76'32" Svetoslav Obretenov Bulgarian National Choir ; Bulgarian National Radio Chamber Orchestra ; Conductor Georgi Robev Boris Christov - bass ; Todor Grigorov-Teres - tenor ; Grigor Yanev - tenor ; Blagoi Spassov - baritone плоча ВХА 10371-10372 |
| 1. Pridite poklonimsya (Come, Let Us Worship) - 2'04" 2. Blagoslovi doushe moya (Praise the Lord, O My Soul) - 4'20" 3. Blazhen mouzh (Blessed Is The Man) - 5'45" 4. V svete tihii (Joyful Light) - 3'31" 5. Nine otpoushtaeshti (Now Lettest Thou Depart) - 4'02" 6. Bogoroditse, Devo, raduysya (Rejoice Virgin Mother of God)- 3'10" 7. Hexapsalmos - 3'15" 8. Hvalite imya Gospodne (O Praise Our Lord) - 3'40" 9. Blagosloven esi, Gospodi (Blessed Be the Lord) - 8'12" 10. Voskresenie Hristovo videvshe (Christ's Resurrection) - 3'10" 11. Velichit dousha moya Gospoda (My Soul Doth magnify the Lord) - 9'20" 12. Slavoslovie velikoe (Great Doxology) - 7'25" 13. "Dnes spasenie" (troparion) (This Day of Salvation) - 2'01" 14. Voslres iz groba (troparion) (Christ Is Risen from the Dead) - 3'10" 15. "Vozbrannoi voevode" (kontaktion) (Thanksgiving to the Mother) - 1'32" Total: 65'58" "Svetoslav Obretenov" Bulgarian National Choir. Conductor - Georgi Robev. Soloists: Natalia Peneva - soprano, Todor Grigorov - Teres - tenor плоча ВХА 2038-2039 |
2 1 | 050095 1998 |
| 1. After the exclamation " Blessed Kingdom..." - 6'44" 2. After the first Antiphone - 5'40" 3. After the Small Entrance - 3'50" 4. After reading the Gospel - 6'15" 5. Cherubic Song - 8'24" 6. After the Cherubic Song - 4'00" 7. Credo - 7'19" 8. After the Credo - 6'12" 9. After singing the exclamation "Tvoya ot tvoih..." - 3'20" 10. After the words "Izryadno o presvyatei..." - 4'10" 11. After the exclamation "I dazhd nam edinemi usty..." - 4'19" 12. Our Father - 5'23" 13. Eucharistic Verse - 2'38" 14. After the exclamation "So strahom Bozhiim" - 8'30" Total: 73'00" "Svetoslav Obretenov" Bulgarian National Choir, conductor - Georgi Robev Soloists: Todor Grigorov-Teres, Alexander Manolov, Blagoi Spassov, Nikola Yagoridkov плоча ВХА 10250-10251 |
6 3 | 070093 дата на запис: 4.01.1990 |
6 3 | 070093 дата на запис: 4.01.1990 |
6 3 | 070093 дата на запис: 4.01.1990 |
6 3 | 070093 дата на запис: 4.01.1990 |
6 3 | 070093 дата на запис: 4.01.1990 |
6 3 | 070093 дата на запис: 4.01.1990 |
| 1. Нагоре и надолу. - 8'46" 2. За Фредерик и Бил (на Фредерик Шопен и Бил Евънс). - 10'18" 3. Con mucho gusto. - 6'17" 4. Самба Дебора. - 7'20" 5. Женски танц. - 5'44" 6. Джим, Джем, Джам (На Джеймс Галъуей). - 4'14" 7. Рага Тодор. - 9'50" 8. Леко тъжен. - 8'19" 9. Гурбет мохабет. - 6'36" Общо: 69'39" Милчо Левиев - пиано, Теодосий Спасов - кавал Музика: Милчо Левиев (1, 2, 3, 4, 5, 6, 8), Теодосий Спасов (9), Милчо и Теодосий (7) Записът е осъществен по време на концерт - на 4. 1.1990 в зала № 1 НДК от Деян Тимнев, Никола Мирчев, Стефан Стефанов, по поръчка на БАЛКАНТОН Художествено оформление - Яна ЛЕВИЕВА Фотограф ИВАН БАКАЛОВ плоча ВТА 12632 (с различен треклист) касета ВТМС 7513 (с различен треклист) |
4 3 | 060089 1990 |
| 1. Trite Pati - perf. by Kostadin Varimezov - bagpipe (Strandzha), music written and cond. by Kostadin Varimezov, acc. by an orchestra.. .2'17" 2. Svornato Horo - perf. by Stefan Zahmanov - bagpipe (the Rhodope Mountains)... 3'37" 3. Markovska Pesen and Graovskata — perf. by Nikola Atanasov — bagpipe (Mid-Western Bulgaria), arr. by Boyan Nankov, acc. by Orchestra with the Bulgarian Television and Radio Folk Song Ensemble, cond. by Dimiter Lavchev... 4'37" 4. Kalimanku Denku and Erkechko Horo - perf. by Mihail Marinov — gadulka (Strandzha), arr. by Stefan Kunev, acc. by Orchestra with the Bulgarian Television and Radio Folk Song Ensemble, cond. by Dobrin Panayotov. ..4'30" 5. Men's Horo - perf. by Stoyan Velichkov - kaval (Thrace), arr. and cond. by Kosta Kolev, acc. by an orchestra. .. 240" 6. Pravo Plovdivsko Horo - perf. by Theodosii Spassov - kaval (Thrace) and "White", Green and Red , music by Theodosii Spassov, cond. by Stefan Moutafchiev. .. 3'46" 7. Potter's Horo - perf. by Roumen Sirakov - tambura (Mid-Western Bulgaria), arr. and cond. by Emil Kolev, acc. by an orchestra... 2'46" 8. Slow Song and Bruchmaliisko Horo - perf. by the Dobroudzhanska Troika: Stefan Georgiev - concertina, Petko Zhelyazkov - gadulka and Zhelyaz Dimov - bagpipe (Dobroudzha). .. 4'42" 9. Krivo Horo - perf. by Roumen Sirakov - tambura, Stoyan Velichkov - kaval, Mihail Marinov - gadulka, Kostadin Varimezov - bagpipe and Peter Tsambov - tupan (big drum) (Thrace)... 3'0З" 10. Pazardzhishka Kopanitsa - perf. by Roumen Sirakov - tambura, Stoyan Velichkov - kaval, Mihail Marinov - gadulka, Kostadin Varimezov - bagpipe and Peter Tsambov - tupan (big drum) (Thrace)... 2'42" 11. Ivailovsko Horo - perf. by Ivo Papazov clarinet, Peter Ralchev - accordion, and Trifon Trifonov - saxophone (Thrace), arr. and cond. by Dimiter Trifonov, acc. by an orchestra. .. 3'46" 12. Ograzhdensko Horo - perf. by Traicho Sinapov - accordion (the 13. Concerto Horo - perf. by Peter Ralchev - accordion (Thrace), music by Peter Ralchev, cond. by Dimiter Trifonov, acc. by an orchestra. . . 2'40" 14. Bouchimish - perf. by Traicho Sinapov - accordion and Dimiter Paskov - clarinet (Mid-Western Bulgaria), arr. and cond. by Hristofor Radanov, acc. by an orchestra.. . 2'13" 15. Yavorovo Horo - perf. by the "Horo" Orchestra led by Vasil Purvanov (Central Northern Bulgaria), arr. and cond. by Vasil Purvanov... 2'21" 16. Kurdzhaliiska Ruchenitsa - perf. by the "Trakia" Folk Orchestra led by Ivo Papazov (Thrace), arr. and cond. by Dimiter Trifonov. . . 5'07" 17. Merry-Go-Round - perf. by Orchestra with the Bulgarian Television and Radio Folk Song Ensemble (North-Western Bulgaria), arr. by Anastas Naumov, cond. by Boyan Nankov... 2'15" Total: 59'19" Digital dubbing and editing: eng. Emil Todorov Music editor: Lilyana Hristozova The Bulgarian people's sense of music has carried over the ages complex rhythms and intonations. Our folk music is famous both for the drawn-out slow melodies and for the wild rhythms of the folk dance. What is the secret of its irresistible attractiveness and impact upon the listener? The main reason seems to be the originality of its rhythmical richness and metre. Characteristic of our folk music is a phenomenon, not so typical of the metro-rhythmic principles of West-European music: the asymmetric measures. This |
| M. Ravel- Bolero M. Ravel- Ma mere l'Oye pavane de la Belle au bois dormant (Petit Poucet,Laideronnette, Imperatrice des Pagodes, Les entretiens de la Belle et de la Bete Le Jardin feerique) Camille Saint- Saens- Dance Macabre Emmanuel Chabrier- Espana Paul Dukas- L'apprenti sorcier |